>>>I've not been very successful. Your idea
>>>of "romantic" will have the effect of confining your story to an audience=
of people that
>>>share your definition, where such unnecessary restriction would not apply=
if you merely
>>>leave romantic entanglements at the "flirting" or "anything's possible" s=
tage.
>>
>>Yeah, but if you stay in that stage for a very long time, the audience may=
get a little ... upset.
>
>That *never* happens. Not once. Ever.
Yeah, but in these days, you never gonna know what is going to happen.
>When you start a series, it's like taking
>a trip on a large highway. There's all kinds of off-ramps you can take, bu=
t
>every time you do that and wind up on a side-road, the road becomes narrowe=
r.
Hmmm... Chance's famous shortcut?
>Each time you make a choice at the storyline "forks in the road" and reduce=
the
>number of possibilities, the path becomes narrower and narrower the further=
you
>get from the "highway". Pairing your characters off as love interests is=
analogous to
>abandoning the "highway" altogether for the story equivalent of a deer-path=
Received on Mon May 27 1996 - 09:16:46 PDT
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